பேய் படத்தில் லாஜிக் தேவையில்லை, மேஜிக் போதும் என்பது தான் தமிழ் சினிமாவின் தவிர்க்க முடியாத ஃபார்மட். ஆனால், அதிலும் சில லாஜிக் வைக்க முயற்சித்திருக்கிறார்கள். ஒளிப்பதிவாளர் பார்த்திபன், அறிமுகம் என்று சொல்ல முடியாத அளவிற்கு அசத்தியிருக்கிறார்.
With “work from home” turning into a norm, observing perform-lifetime equilibrium is important not to get burnt out, and what’s a greater strategy to take pleasure in your evenings than streaming your preferred Hindi dubbed movies?
சினிமா விமர்சகர்களின் பார்வை, ரசிகர்களின் பார்வை, சமூக வலைதள விமர்சனங்கள் என பல்வேறு கோணங்களில் திரைப்படத்தின் மீதான பார்வையை பெறலாம். திரைப்படத்தில் சொல்ல வந்த சமூக கருத்து, அது வெளிப்பட்ட விதம், மக்கள் மன்றத்தில் அதற்கான வரவேற்பு உள்ளிட்ட தகவல்களை விமர்சனப் பகுதியில் தெரிந்து கொள்ளலாம்.
Pattern spotting in cinema can be a dangerous pursuit. Sometimes a movie is simply a movie. “Twisters,” on the other hand, is emblematic of a transparent change in Hollywood: After a period of openly utilizing movies to Show progressive values, sometimes with results within the box Place of work (“Barbie”) and sometimes not (“Odd Entire world,” “The Marvels,” “The Color Purple,” “Dark Waters”), studios appear to be heeding a information a large number of ticket prospective buyers — particularly in the center of the state — have been sending for a lengthy time: We just wish to be entertained, no research connected.
With its start off relationship again to 1995, it’s a dependable source for movie details. Its Instagram is filled with updates, like information of the “Xmas Tale” sequel and first seems to be of cult beloved, “Hocus Pocus two.”
হাই কোর্টের নির্দেশের পরেও ভাঙা হয়নি বেআইনি নির্মাণ, অসন্তুষ্ট বিচারপতি সিনহা
It’s telling that — a tiny bit like Emma Stone’s totally unseen one particular-girl present in “La La Land,” similarly a task that mostly exists to burnish its creator’s legend as a novel genius — we see minor of “Meg.” (Given that the movie is portrayed as becoming a corrective, equivalent and reverse, to “Gone With the Wind,” that’s undoubtedly with the best. Even Netflix funds can’t maintain that conceit.) It’s also telling which the story “Meg” relates is of the younger female burned out, and in fact driven to suicide, by the unfairness and prejudices of Hollywood. This, it seems, is The story Murphy really wants to inform. Why dress it up as hopeful and optimistic when it’s caustic, Uncooked and so barely in just its creator’s Manage?
Universal’s method of “Twisters” included positioning the movie as escapist entertaining and studiously avoiding sociopolitical concerns. The very last thing Common needed was a movie that doubled like a local climate-change scolding, which might likely repel conservative ticket potential buyers.
Common on Assortment The clearly show follows Jack Castello (David Corenswet), an archetypal aspiring actor — amiably blank, burdened with extra charisma than backstory, Prepared for that screen to provide him a reinvention. Murphy stays more than enough in thrall to your Hollywood myth to perform small additional with Jack’s character than that, but also is fully commited adequate to subverting it that he plops Jack inside of a purposefully raunchy milieu; right after Assembly an area businessman-slash-pimp (Dylan McDermott), Jack finds himself providing the support at an unorthodox assistance station.
The demonstrate is a showcase for Bangladeshi acting expertise – with a just about scene-thieving act by Hasan Masood, as a veteran Place of work peon with a magic formula backstory – as it is a testomony to Farooki's flair for Visible storytelling, most obvious in the way he stages the horrifying scenes of the sexual assault: an interplay of exhibiting and not showing, audio and creativeness.
But Todd Field’s caustic character research — his to start with movie in sixteen many years — contextualizes that jagged portraiture within a provocative consideration of electricity dynamics, celebrity and blithe privilege, pitiless in its observation of unraveling self-possession. four.
பேச்சியாக வரும் பாட்டி, நமக்கு நன்கு அறிமுகமானவர். இவர் பேயா என்று யோசிப்பதற்குள், படுபயங்கர பெர்ஃபாமன்ஸ் செய்து மிரட்டிவிடுகிறார்.
They are good with each other, partly since the screenplay by Jeffrey Cost, Peter S. Seaman and Daniel Pyne won't give them sappy matters to mention; they keep sensible discussions from which, at some point, romance blossoms.
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